Centered on Kenya Hara’s theory of "emptiness as a visual container," this project explores how white space and texture function as active design elements. The top third integrates an abstract, architectural brushwork photograph overlaid with brief biographical text, while the lower grid balances a bold header ("Kenya Hara") against clean event metadata and vertical calligraphic kanji (原 研哉). The resulting piece mirrors the understated elegance, quiet restraint, and sensory resonance characteristic of Hara's work for Muji.